Colin Firth has said as verdict on his quite illustrious career:
The Height of Fashion: 5'7"
Friday, June 19, 2015
Why I do fashion
Colin Firth has said as verdict on his quite illustrious career:
Wednesday, August 8, 2012
Running after a fashion
People fall in love with Paris for different reasons, and with my background the first conclusion would be fashion. But since I have still to manipulate the very esoteric fashion sensibility of Paris – the nonchalant chic-ness that constantly makes you doubt the height of your heels or the redness of your lips – it’s a relationship in progress. No, what was love at first sight for me and Paris was running.
A recent tryst with the book Born to Run had made me vow to myself to keep fit irrelevant of my situation. That meant putting on sneakers in a city that so far I had only braved with heels. Added to which the anomalous Parisian ability to stay thin makes any overt effort to do so seem like trying too hard. So you can imagine my feeling of being judged as I made my way to the Tuileries, dressed in muddy shoes and an oversized t-shirt, through the Place de la Madeleine and windows of Chanel and Dior. Thankfully I found another runner as sacrilegious as I and followed him straight into the garden for a wonderful run. That’s the beauty of running, there’s an unspoken camaraderie that let’s you belong, even in Paris. Just when I thought my evening couldn’t get any better, I noticed an orchestra set up for a concert in the park. So I leaned my sweaty self against a tree to be lulled by the ethereal sounds of the music. Maybe because I live in a city that sees as any moving person as a nine-pin, this place that brought running and music together had won me over.
I have never attempted an association between running and fashion (which explains the shoes and t-shirt) although it seems that working-out has become fashionable. Hearing friend’s escapades when it comes to staying fit never ceases to amaze me. Power yoga, Pilates, zumba, cross training, spinning – it seems that every week there is a new miraculous way to keep fit. Running has slowly been creeping into this equation ever since the Mumbai marathon brought a spate of distance running activities. And with the marathon training season just beginning, I’ve been involved in a couple of conversations related to finding the right shoes. Not surprisingly most of these people have ended up with bright new shiny Nike Frees for that barefoot feel. You see, chronic running injuries had led to more and more people running barefoot, which really reached its climax with Christopher McDougall’s book, Born to Run. I’ll leave you to read the book since it’s really something intriguing, but the gist of it is we’ve been doing it wrong all along with padded feet. So after years of giving us pillows to run on, Nike now tells us that we need to use the opposite. Bottom line, buy new shoes. How convenient.
What the designers have done is create a good looking, fashionable shoe, which by-the-way might revolutionize the way we run. The neon colour palette with the less bulky silhouette has made these shoes a trend. And that’s the real genius of this collection. In fact, all over Paris, people seemed to be wearing little black dresses with Nike shoes. And if Paris does it, then that’s gospel truth. I must add here that I have not submitted, I still run in my two-year-old Nike Air pair. Yes, the sloppiness that is me running shall not yet be maimed by a fashion.
Wednesday, July 18, 2012
When I get older
Monday, September 12, 2011
Fashionably yours: Vogue Fashion's Night Out
Vogue Fashion's Night Out is the fashion community’s chance to indulge. Now when fashion and indulge are put in the same sentence it usually translates to shopping. But strangely enough this is not what the night amounts to. It’s not to suggest that one must not shop, the charity-focused nature of the event almost demands it, but what is delicious about the evening is just to be amongst those with a sartorial concern.
FNO was started with Anna Wintour in 2009 in an attempt to jumpstart an industry that was beaten badly by the recession. What is does in India though, is allow a ‘common’ party. While shopping at a luxury store, at least in India, is usually a serious affair, this is one night where stores will let their hair down, in other words, let the wrong crowd in. On any other day, a certain customer might enter these hallowed environs and slink around the periphery, trying desperately to avoid eye contact lest they betray their limited buying power. The magic of this night somehow grants one the power to walk, nay, stroll into stores and even pull something of the shelf. Innards of bags are inspected, shoes are flipped over and price tags contemplated.
While I tried to maneuver my six inch heels through wired floors, I took a minute to compute that I was pleasantly surrounded by striped jersey maxi dresses, polka dotted blazers and fedoras, all accompanied by champagne and infectious music. The shelves of Vogue Steals were bare, while the Vogue Loves store still had a line outside even though the event was running into its 4th hour. How had we, who saw the light of a Zara only a year ago, become so cool?
There is recent speculation that our reputation as a luxury utopia is beginning to fade with the lack of infrastructure and tough taxes. Also, we're not turning out to be a consumer infected society the world expected us to be. Well, what this night gave evidence to is that while maybe a generation or two behind would frown at this blatant hedonism, there was a crop being brewed that had different aspirations. Give us a decade and we won’t want to slink so much.
There is one point of interest to note though. Just adjacent to this mall, was another that sat calmly, in a Saturday late night buzz of family dinner-and-a-movie. It brings to point that fashion exists within a bubble, which is actually quite reassuring. Not so much the fact that everyone’s life doesn’t revolve around the colour of the season, but by the fact that they aren’t even concerned by it. In fact I take a quiet pleasure in noting that somewhere my fashion wired frame I have a gene that connects me to a Phd toting sister who is uncertain of whether grey pants can be accompanied by a lemon yellow top.
Sunday, June 12, 2011
When you're Happy and you know it
There’s only one thing I love better than attending a Zubin Mehta concert, and that’s attending a Zubin Mehta rehearsal. One reason for this is of course is listening to the maestro deconstruct a piece. The way he breaks it down to its bare bones and then packs it all together again, strings, winds, percussion and all, it’s magic. Now while this remains my official excuse for getting out of work on a Tuesday morning, what truly fascinates me is looking at people’s socks.
Before you think me perverse, you must understand that the general rule of an orchestra is uniformity. Classical music is a rigid affair when it comes to dressing and unless a soloist, it’s hard to break away from the black and white. When you watch an orchestra on performance day, there’s a clear difference between the audience and the performers. For one, they place themselves above you, about five feet actually and for another, for that hour and a half or so, being part of the orchestra is just greater than being part of the audience. But now this is all on performance day. Catch them on rehearsal day, and it’s a whole other ball game.
At rehearsals, the tailcoats are replaced by jeans and t-shirts, and even slippers. For a moment, looking at the Hawaiian shirts and floaters, you can actually deem to think that you could be one of them. What’s most interesting is how their sense of dressing gives away their character. And it’s here that the socks play a pivotal role. The little piece of their character that they can carry into the monochromatic sea, is their socks. Let’s face, men have it fairly tough when it comes to formal dressing. Everything must remain sober and well, dull. But there is one aspect of their dressing where they do they to play around, and that’s the socks. It’s sort of a guilty pleasure, white shirt, black blazer and trousers, and red and black striped socks.
That’s why I was thrilled when I found happysocks.com. I always have more respect for a man with coloured socks. And respect can always grow to something more when it’s a chiseled faced, six-foot-one double bassist.
Sunday, February 27, 2011
Fashion goes in reverse
If karma ever had its way about anything in my life, it’s fashion. I've inherited part of my mother's ill-fitted nose and dressed in my high-waist jeans and white shirt, I could be her. This worries me. Tremendously. As is befitting any mother-daughter relationship, anything that gives my mother leeway to say, ‘My God, that’s something I used to wear’, frightens me.
Thankfully my redemption came in the form of a pair of high-waist-lemon-yellow-floral pants that my aunt handed down to me. It was an outfit James Ferreira had made for her in the ‘70s and she deigned that I would be the only one in the family who would appreciate it. And she was right. The pants were delicious. But what was interesting was that while my aunt had worn them with a matching peter pan lace collar top—you may take a moment there to visualise that—I went for a more minimalist approach, a white gunji. So the conclusion I reached is that till we actually begin to dress in motorised costumes, as Hussein Chalayan wishes, the same shapes and colours are going to recycle themselves every decade, but with a twist. This time, it’s a more minimalistic approach to ‘70s fashion-less frills, simpler cuts, flatter hair.
There is one thing I do promise myself though. No matter how many bell-bottoms I put on, or how busy my prints get, there’s no way I’m ever doing the hand pounding dance my mother refers to as ‘the popcorn’. As for the picture of her party, I'm sure I wouldn't have been as harsh if she had had Bartholomew's sleight of hand to lessen the blow.
(Pablo Bartholomew, 1975. Catch Pablo Bartholomew, CHRONICLES OF A PAST LIFE - '70s & '80s in Bombay, Sakshi Gallery, Feb 19th- March 17th. It's a collection of photographs he's taken while strolling the streets of Mumbai in the '70s & '80s)
How it began:
(Clockwise from left top: Zeenat Aman in Hare rama, hare krishna, 1971; Bianca Jagger's infamous wedding suit, 1971; 1970s trend setters Farrah Fawcett and David Bowie)
'70s in spring-summer 2011:
(Clockwise from left top: White suit, Thakoon; Printed mini-dress, Dolce & Gabbana; Highwaist trousers, Derek Lam; Polka dot pants with printed top, Rodarte)
Get the look with bright prints, wide leg pants, platforms shoes and minis:
(Clockwise from the top left: Wide leg trousers, Zara, Rs 2,590; Yellow printed dress, Mango, Rs 3,790; Tasseled bag, Mango, Rs 4,690; Polka dot top, FCUK, Rs 1,999; Oversize sunglasses, Fendi at overstock.com, Rs 6,588; Platform shoes, Mango, 5,990)
Monday, September 27, 2010
'They all look alike' syndrome
Bootleg images from Tom Ford's SS11 show
Two reasons made the 20-something-hour haul back and from America bearable. One was the stack of discounted shoes that filled most of my luggage, and the second was my smug belief that no one would have the same pairs when I came home.
With shoes enough to last me through fashion week, the first reason for my being in the land of the free had been fulfilled. It was the second that had me on shaky grounds.
Often while driving through the States, I fell asleep looking at manicured roads, lined with Target and Subway and McDonalds, only to wake up later, looking at manicured roads lined with Target and Subway and McDonalds. Such is the state of comatose that a moving car inflicts on me, that on more than one occassion my initial reaction was that my family had reached a restaurant, finished a meal, and were back home, all while I was asleep in the car. What began to unnerve me even more though, was that the people too were beginning to look alike. For example, autumn collections had just hit while I was there and I saw in one store, a well styled pair of mid-calf boots. I was soon to find out though, that I was not the only one of that opinion. By the end of one week of driving around, I had counted at least 20 people wearing the exact same pair of boots. Since it’s a country wide store, it chills me to think how many people are wearing those shoes.
Unfortunately for us, the phenomenon has started here. You can smell Zara on person from a mile away, and what will happen when stores like H&M and Topshop hit? What is this brave new world that we are creating? Will there have to be a reserve for single-city boutique owners?
It was for this reason that I was relieved with Tom Ford’s marketing plan this year. After a hiatus of six years, he revealed his Spring Summer 2011 collection, not to the usual humbug of fashion week paparazzi, but in a private viewing to the ‘queens’ of the fashion. So all we have is word from the powers that be that the collection is breathtaking. No clothes will be seen in magazines till January 2011 and the same will be in stores in February 2011. It’s a start in the direction away from mass merchandising.
Just a step though. Thanks to Zara’s track record of drawing board-to-store in 2 weeks, we’ll be wearing a Tom Ford ‘inspired’ look in March, instead of January. If you need to pick me out, I have a birth mark under my left foot.